Albert Camus: Written Assignment

During the interactive oral, we mentioned the primary theme of the meaninglessness of human life that’s present in The Stranger by Albert Camus. We emphasized primarily on Meursault’s indifferent and unemotional traits, particularly when the jury makes use of this towards him at his trial: “He said that I had no place in a society whose most elementary rules I ignored” (102). Meursault may be very isolated from his society, and through his trial all the odds usually are not in his favor as a result of in this case Meursault is considered as a minority when in comparison with the Arabs in Algeria.

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Even the prosecutor claims that Meursault doesn’t really feel regret about killing the Arab, and this connects to the theme of the meaninglessness of human life, the place Meursault’s feelings in path of this complete case is mutual and religion, life, and death does not matter to him. In reference to the title, we also pinpointed that Meursault acts because the stranger when placed in this society as a result of he is disconnected and doesn’t belong on this “normal” society, he is seen an outsider.

And, we concluded that the character conflicts are focused in the direction of man versus society and man versus self. Because it’s clear that Meursault does what comforts him the most as an alternative of pleasing others and bothering to care about what everybody thinks about him. A main cultural impact that is presented on this novel is the concept of religion and the role of the elderly. Based on the first chapter, we learn that Meursault places his mom in an old people’s house, however, later we understand that the jury discovered this unacceptable.

This gave Meursault a disadvantage against his murder case because in this society, it is morally mistaken to place an elder relative in an elderly residence.

Also through the seminar we talked about how religion plays an necessary role on this society, particularly when the lawyer, the judge, and the priest tries to steer Meursault into turning to faith, nonetheless, he doesn’t believe that God exists and the decide even calls him “Monsieur Antichrist” (71). When he refuses to believe in God, it connects to the idea that life is meaningless and God doesn’t exchange the absurd significance of human life. Overall I learned that there are many cultural obligations that Meursault conflicts with in The Stranger and with these pressures; he struggles to face his society.

An evaluation of the symbolic significance of the motif of the sun in The Stranger

The highly effective effect of sunshine can forged a shadow and blind those that come across its path. Power, particularly an extreme quantity of, can affect the habits of others and it can deceive people especially those that are different and follow a strange path from everyone else. Meursault in The Stranger, for example, is named an outcast as a end result of his actions and beliefs of life. However, he’s a victim of the overwhelming impact of sunshine, he loses his method and the shadow of sunshine influences his actions. In his novel, The Stranger, Albert Camus creates an intense environment by way of his use of the solar as a motif. He accomplishes this by using the sun as the personification of Meursault’s internal feelings, the powerful imagery of the homicide scene, and Meursault’s inner conflict.

Throughout the novel, Camus uses the motif of the solar to construct the intensity of the atmosphere during part one of the novel. The sun plays a task in influencing Meursault’s feelings particularly when the sun is described as insufferable on the day of Maman’s funeral: “But at present, with the solar bearing down, making the whole panorama shimmer with warmth, it was inhuman and oppressive” (15). Camus makes use of a pathetic fallacy in his description of the sun as “oppressive” and “inhuman.” This helps to illustrate the sun’s devilish traits as its powerful influence that enables Meursault to forget about Maman’s demise. Also Meursault is understood to be a really detached and unemotional character nonetheless, whenever the solar is opposing him, it affects his habits and permits him to specific his feelings about his surroundings; and this contributes to the depth of environment.

Another important passage is when Meursault longs for shade and to be distant from the oppressive warmth: “I was thinking of the cool spring behind the rock. I wanted to hear to the murmur of its water once more, to flee the sun and the strain…and to search out shade at last” (57). This time the sun influences Meursault’s craving need to run away from the solar and this foreshadows Meursault’s determined actions in killing the Arab. As the sun will get stronger, so does Meursault’s discomfort, and this reoccurring relationship symbolizes that the impact of the sun’s insufferable heat enhances Meursault’s need to escape its penetrating management. In addition, the powerful energy of the solar returns and it contributes in constructing as much as the climax of the novel: “It was this burning, which made me move forward” (59).

The effect of the solar compels Meursault in killing the Arab with no intentions or reasons influencing his sudden action when his anxiety is launched as he pulls the set off. Camus makes use of the warmth and the glare of the solar as a device to release Meursault’s repressed emotions. Despite Meursault’s indifference towards his incorrect doings, his actions and feelings, which the sun has possessed over him, don’t explain Meursault’s irrational intent to surprisingly shoot the Arab and this connects to a major theme of the irrationality of the universe, which deprives Meursault from performing reasonability. Furthermore, the author’s intentions in personifying the sun’s possessive effect over Meursault’s emotions and irrational motives are to convey an intense ambiance and its energy to affect Meursault actions.

Towards the tip of part one of the novel, the writer illustrates the build up to the murder scene via the utilization of vivid descriptions and kinesthetic and visible imagery of the blazing sun so as to portray an general ambiance of the extraordinary portrayals of nature and weather. When Meursault prevents Raymond from starting a bloody war with the Arabs, Raymond provides him the gun and Meursault notices that “The solar glinted off Raymond’s gun as he handed it to me”(56). This excerpt foreshadows the importance of the solar and gun since each gadgets are associated with murdering the Arab, and these two gadgets provoke the murder. Camus briefly mentions the solar glinting off the gun as a way to illustrate their connection and significance within the dying scene, additionally the writer focuses on pinpointing particulars in regards to the sun and its powerful results to find a way to create an intense atmosphere by emphasizing the sun’s visible descriptions.

After the struggle between Raymond and the Arab, Meursault takes a stroll on the seashore and he sees the Arab flashing his knife and this blinds Meursault as he illustrates that “The mild shot off the metal and it was like a protracted flashing blade slicing at my forehead” (59). The author exemplifies the light depth of the reflection of the blade to be blinding and painful by way of using both kinesthetic and visual imagery. This passage is important in demonstrating the powerful impact of the solar and its strength in pushing Meursault to defy the restrictions in opposition to nature. Even moments earlier than Meursault pulls the set off, pressure begins to rise as if nature is pushing Meursault into killing the Arab: “The sea carried up a thick, fiery breath. It appeared to me as if the sky spilt open from one end to the other to rain down fire” (59). The use of diction such as “thick, fiery” evokes the depth of visual imagery and the personification of the sun serves to reinforce the sun’s highly effective influence over Meursault’s mind and unconscious actions.

Perhaps nature is symbolically pressuring Meursault to homicide the Arab and Camus surprisingly illustrates the time and setting of this scene in this method in order for it to return as a shock and therefore to help the concept of nature and its prevalent impression. Overall, the murder scene shows an intense illustration of Meursault’s environment through the usage of kinesthetic and visible imagery of the sun’s power and management which helps develop a powerful environment. Particularly, the whole novel relies on the most important conflict between Meursault and himself; this inner conflict portrays an intensive environment that is represented by way of the affect of nature and weather, which is depicted throughout the novel. In the start of the novel, the nurse at Mamam’s funeral offers Meursault important recommendation when she says, ““If you go slowly, you threat getting sunstroke. But should you go too fast, you work up a sweat and then catch a chill contained in the church.” She was right. There was no means out” (17). The nurse’s advice symbolizes that Meursault’s self-conflict with the solar is unavoidable just as Meursault’s fate is inescapable; similar to when he fails to find ways to escape from his demise sentence.

The writer decides to say this passage to foreshadow Meursault’s unexpected destiny as a result of Meursault’s murderous motion is an unexpected plot twist, and this embodies nature’s powerful management over men, by which in this case it’s between the sun and Meursault. Meursault’s battle with overcoming the warmth of the solar is principally demonstrated particularly when rigidity is excessive corresponding to when the group of Arabs is walking in direction of Meursault, Raymond, and Masson: “The solar was shining almost immediately overhead onto the sand, and the glare on the water was unbearable” (52). As the scene begins to become extra intense, the struggle between Meursault and the climate becomes stronger as nicely, and that is demonstrated when Meursault describes his frustration from the sun’s insupportable warmth. This excerpt clearly exhibits that Meursault’s fixed warfare together with his emotions and nature is powerful in reference to the intense ambiance and since Meursault is unable to conquer the overwhelming heat, it that causes him to kill the Arab and he provides in to the sun’s compelling control.

Also earlier than Meursault’s trial, he even states that “I knew as soon as the weather turned hot that one thing new was in retailer for me” (82). Since Meursault did not know how much longer the judge would sentence him in jail, this passage did foreshadow that his trial would not prove nicely. This once more pertains to the thought that when tension is high, the war between the sun’s heat and Meursault’s feelings can additionally be intensified and Camus uses the motif of the solar to point that nature is in opposition to Meursault and to foreshadow Meursault’s destiny. In conclusion, the influence of nature and weather in addition to the motif of the solar and the role it performs to struggle against Meursault’s inside feelings establishes an intensified setting.

Unfortunately, mankind is overpowered by nature and the force of the sunshine pushes Meursault to his breaking point. Meursault is unaware of the sun’s
influential impact, however he’s impacted by its controlling energy. In the top, the sun’s power forces Meursault to commit an immoral crime and even though his reasons are unintentional, he’s rejected by society and is sentenced to a dying penalty. The use of the motif of the sun in The Stranger by Albert Camus, develops a strong environment by way of the idea that the sun personifies Meursault by influencing his actions and emotions, the intense imagery of the murder scene, and Meursault’s inner battle towards the solar.

Works Cited

  1. Camus, Albert, and Matthew Ward. The Stranger. New York: Vintage International, 1989. Print.