Analysis of A Poem Before You Were Mine

Carol Ann Duffy’s Before You Were Mine is a poem written retrospectively about her mom ten years earlier than she was born. The title indicates that it’s a love poem whilst the primary stanza might be mistaken for being written about a lover illustrating the sturdy bond between her and her mom. A conversational is adopted throughout that demonstrates this love and this is communicated through false conversations between the two of them. For instance, through the colloquialism “eh? ” Moreover, the title also provides a way of possession that is constant throughout with the conspicuous use of the pronoun “mine” and “my loud, possessive yell.

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” Generally, the mother is thought of having ownership of a child and never the child, however, alternatively Duffy utilises an inversion of the pure use of the phrase. She also takes on the function as a mother or father within the third stanza to strengthen this notion: “Whose small bites in your neck, sweetheart? ” The reoccurrence of the possession by the kid gives the reader a way that Duffy’s mom had lost her freedom.

Duffy refers to this lack of freedom throughout the poem and youthful life of glamour and vivacity that she perceives her mother to have had earlier than she was born.

This is supported via the quotations: “I knew you would dance like that…” and “…dress blows around your knees. Marilyn”, referring to the movie star. Duffy perceives recklessness and contentment, idealising and applying an imaginative image of what her mother was like from the famous photograph of Marilyn Monroe in The Seven Year Itch standing on the grid, revealing her legs, introducing a sexual element.

This sexual factor is introduced in once more with “in the ballroom with the thousand eyes. ” It might be interrupted that Duffy is referring to the glitter ball or the eyes of potential companions.

Furthermore, the poem is split into 4 common stanzas of five lines every giving the poem regularity. It could probably be interpreted that point passing is similar for all humanity and it’s inevitable; reflecting on a parent’s previous is one thing very familiar. This is highlighted once more when Duffy professes “Before you have been mine, your Ma…” Everybody experiences similar occasions. Duffy gives the consensus that her mom loved life far more before her existence. This is elucidated by “bend at the waist” and “shriek. ” Both phrases give connotations of excessive laughing, screams and exhilaration.

There are quite a few references to time throughout the poem; Duffy mentions herself initially of every stanza as a reminder that she does not yet exist and her mom has by no means given a thought of her. For example, “I’m not here yet. The considered me doesn’t occur…” Duffy then continues to inform the reader about her gratification of dancing and being content material once once more. This gives the look that Duffy is guilt-ridden for besmirching her mother’s pleasure. This is underpinned when she states “I bear in mind my palms in those high-heeled purple footwear, relics…” The noun “relics” provides veneration for the previous her mom has experiences.

A relic is normally a religious and historic article that is worshiped and the way long Duffy’s mother’s life earlier than she was born must really feel like to her. Duffy believes her glamour never really left her and she or he endeavours to recreate the misplaced romance and passion of the previous. For instance, the statement “stamping stars from the incorrect pavement” which means that she has left Glasgow and now not together with her associates, laughing, she is no longer within the literary ballroom and she is not the glamorous particular person associated with Marilyn Monroe however she is a mom together with her baby and an immense responsibility.

However, the citation may additionally allude to Hollywood Boulevard and the Walk of Fame where there is a sense of glamour and romance that isn’t associated with Glasgow. This again elucidates the notion that Duffy feels guilt-ridden and that she believes her mother deserved extra. At the top of the poem, Duffy professes, “That glamour love lasts where you sparkle and waltz and snicker before you have been mine,” using pathos by awakening emotion in the viewers; Duffy feels that her mom has sacrificed her glamour to have her, linking to the spiritual element with the footwear she thought of as relics.

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