Analysis of Down the River by Edward Abbey

In this colourful and passionate essay, “Down the River”, Edward Abbey depicts nature as a mysterious and majestic place to find a way to encourage his open-minded readers to embrace all that it has to supply. He also expresses how both nature and our everyday lives are very comparable in that they’re mysterious and only comprehensible in small fractions. His tone of admiration leads the reader to acknowledge that we as people are probably to not see the reflection of mankind in nature; therefore we stunt our capacity to fully appreciate and experience its thriller and beauty.

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His use of parallel construction and imagery provide the reader with a giant number of reasons to understand and adore nature.

Abbey makes use of romanticism to show how essential all of the little elements of nature are. He notices small details that ordinary individuals wouldn’t recognize or respect, corresponding to “the little heart-shaped tracks of the previous apparent in the sand”. This means that he has a detailed and intimate reference to nature.

For example, when he has his first encounter with a mountain lion, he describes it as a “mutual curiosity”, that they felt extra marvel than worry and in that moment he shares a bond with nature and exhibits us that we as people can relate to nature in a couple of means.

He then rejects the quote by Fuller by saying that the world is “comprehensible only in part”, as he’s observing solely Aravaipa Canyon, and it’s “infinitely rich in detail.” The beauty and thriller of nature and of life is what makes it interesting and since they’re both so intact with each other, it makes it simpler to turn into linked to nature and be feel the romanticism that he described at first of the essay.

In his essay, he exhibits the reflections of mankind in nature and praises the beauties and wonders of nature and expresses that our world is too magnificent to grasp. He is mesmerized by all of nature’s unknowns and the way we may be so intently associated to one thing and at the identical time not perceive something about it.

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