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Analysis of Mankind in Ray Bradbury”s Stories

Ray Bradbury, well-known American writer, playwright, and poet, created his success on not more than his highschool diploma. He did, nevertheless, study many valuable lessons in life which he incorporates in his works. Ray Bradbury uses figurative language corresponding to irony, personification, and imagery to artistically current his vision of life’s morals. Bradbury’s use of irony in his items establishes how mankind generally contradicts himself.

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In “The Veldt”, George and Lydia hear screams that “sound familiar” but ignore them.

The couple additionally finds their pockets and scarf and disregards how these items have been chewed and lined in blood once they found them. George and Lydia receive their last clue once they enter the nursery and see the lions in the background feasting on an unknown prey. “They’ve simply been eating… [but they] don’t know what. ” Ray Bradbury turns these foreshadowing events into irony when the parents are killed by the lions.

It is ironic that they have seen the lions devouring something, saw the wallet and scarf, and heard the screams but don’t notice that they have been the lion’s meal and it was their screams that they heard and the scarf and wallet had been chewed by the lions and covered in their very own blood.

Bradbury also makes use of irony within the “Happiness Machine. ” Leo Auffmann created a machine which he claimed brought happiness to the occupant. He satisfied his wife to “try it on” however when she received out she shouted, “It lies, that Sadness Machine.

” This is ironic as a result of what Leo thought was a Happiness Machine is actually a Sadness Machine.

Leo then finds that true happiness cannot be created by a machine but is discovered in the coronary heart of his household. In “There Will Come Soft Rains”, the home reads a poem to the emptiness the place a household as soon as was. The poem explains how nature “would not mind…if mankind perished totally. ” It is ironic as a outcome of the poem is warning the household how the warfare will destroy them however nature will continue on when that’s exactly what has happened. The household has been killed and the house quickly after dies but the solar continues to rise and set as if nothing has occurred. Personification is another widespread literary device in Bradbury’s work.

It is most outstanding in “There Will Come Soft Rains. ” Bradbury describes the home with human like qualities in how it defends itself towards the fireplace which is also personified. The home “quivered at each sound” and is described because the attic being the brain and the uncovered oak beams as “its bare skeleton” and all of “its nerves revealed. ” The hearth was personified when it “fed upon Picassos and Matisses… [and] lay in beds, stood in windows. ” Bradbury additionally described the fire as being “clever” as it attacked “the attic brain” and “rushed again into each closet and felt of the clothes hung there.

” Bradbury additionally makes use of personification in “The Foghorn. ” He gives the foghorn human-like traits when relating it to the monster. The foghorn made a “great deep cry” that vibrated in the “throat of the tower” because the “light, switching its tail,” shone bright in the distance. Bradbury continues to make use of personification in “The Veldt. ” The nursery that Wendy and Peter spend most of their time in is described with human-like qualities. The walls changed from blankness to the veldt with a “purr” and “reproduced to the final pebble and little bit of straw. ” It is further personified when the room itself kills the dad and mom.

Bradbury also incessantly uses imagery in his work. In “The Pedestrian”, he described the highways as “only dry riverbeds” empty of autos. Bradbury also points out the “tomblike buildings” and “gray phantoms” alongside the edges of the street. These vivid descriptions enable the reader to feel the loneliness and absence of life in the metropolis and its streets. The imagery in “The Pedestrian” sets the mood and describes the setting. “The Foghorn” portrays one other supply of imagery. Bradbury makes the reader visualize the “long grey lawn of the ocean stretching away into nothing and nowhere” along with his descriptive vocabulary.

He describes how the “stone tower” emitted a light that flashed pink and white out to the “lonely ships” “in the cold water far from land. ” This makes the reader understand how secluded McDunn and Johnny have been out at the lighthouse and intensifies the oddness of the appearance of the sea monster. Imagery is also current when McDunn explains to Johnny how the monster “hid away in the Deeps. ” The method he describes the “Deeps” makes all of it appear magical but practical. Bradbury continues to make use of imagery in “The Happiness Machine. ” Towards the top of the quick story, Leo discovers an actual happiness machine.

When he describes this “machine,” he makes the reader visualize a pleasant and warm home filled with joy. This example of imagery contrasts how Bradbury usually uses his words to display desolation and despair. Ray Bradbury expresses comparable patterns in his work by utilizing irony, personification, and imagery. He writes with these three kinds of figurative language in several methods in all of his items of labor. Bradbury takes common strategies of writing and makes them his own by utilizing them in a sure approach to current his ideas in a singular fashion.

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