Theme of Appearance vs Reality is pervasive all through the play and its various facets are manifested via various thematic expressions. At the very start of the play, probably the most delicate aspect of Appreance vs Reality is offered within the type of Orsino’s conviction of affection for Olivia. He becomes a victim to fictitious idealism as he has not seen Olivia and does not have a glance in three months (the course of the play).
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Shakespeare depicts Orsino as a sentimental lover who suffers from the ‘sweet pangs’ (II.
4.16) of affection and ecstasy that have no real existence. Instead of finding the reality of his passion and to discover a treatment, he again goes for an answer that’s misleading. In the primary two scene of the first Act, he yearns for music to treatment his sentimentality. Undoubtedly Orsino has reverted himself into the realm of illusory world by the caprices of his creativeness.
Shakespeare has juxtaposed the Duke’s unadulterated distress for Cesario’s ‘sister’ with Orsino’s fictitious idealism.
He implies that behind all the fake sentimentalities of affectation there’s a genuine particular person who has genuine concerns. But revelation of one other deception i.e. unearthing that Cesario is a woman, helps him to forged away his personal perception in look and he acknowledges the speciousness of his apparent made-up fondness for Olivia.
Orsino does not fell a prey to appearance (instead of reality) because of any inherent flaw in his persona or his psychological complexities but it is a result of his lack of suffiecient expertise in the actual world particularly in the amorous affairs.
Same is the case with Olivia whi seems for apprence as an alternative of locating the truth o his passions for Orsino.
But Shakespeare juxtaposes them with certain other minor characters like Molvolio who don’t acknowledge the fact and never forged away their belief in appearance till the tip of the play whereas Orsine and Olivia learns that appearance is always misleading and becomes realist at the finish of the play..