Argumentative Essay On Catherine And Rodolfo

However the uneasiness began earlier than Catherine and Rodolfo even started to date; Eddie’s dislike for Rodolfo becomes apparent when Rodolfo begins to sing, Eddie rises and strikes upstage partly because Catherine appears to take pleasure in it, he doesn’t like anyone taking Catherine’s consideration away from him, when he has raised her from a toddler, he doesn’t want to be sidelined and forgotten. In addition the lyrics state how troublesome it’s to “love a doll that’s not your own” which is immediately related to the scenario concerning Catherine and Eddie.

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Eddie again feels uncomfortable which such a feminine man and he sees the singing as a sign of Rodolfo being “not right” (homosexual). In these occasions fathers would at all times be protective of their daughters, they wouldn’t have the freedom that ladies have now. Therefore the audience would empathise with Eddie attempting to hold on to his daughter. However it shocks the viewers when his parental love is revealed as perhaps, one thing extra sinister, this adds to their pity for him and retains the viewers gripped and guessing what he’ll do next.

Eddie’s growing dislike of Rodolfo becomes evident when he takes Catherine to the “Paramount”, Eddie lightly insults Rodolfo saying that he has “wacky hair”, that he gives him the “Heebie Jeebies” and he even refers to him as being “like a refrain girl”. Eddie clearly feels embarrassed by Rodolfo’s apparent lack of masculinity he even makes reference to his lack of power to Alferi when he states that if he “[closes] the paper fast it may blow him over”.

Rodolfo is seen as a joker amongst lots of his co-workers; they check with his character as, “humorous” yet although Eddie clearly doesn’t like Rodolfo he nonetheless sticks up for him by saying; “he’s received a sense of humour”. This small section of the play shows simply how highly Eddie regards family values, which makes the audience disbelieve Alferi when he means that he “could have completed the story” after Eddie confided in him. This all adds to the tension of the play and makes the ending more intense and surprising.

At the tip of Act 1 tension is building inside the household and we all know that this can all come to a climax and this scene is the calm earlier than the storm; it is the build up that prepares us for the kissing scene which happens firstly of Act 2. At the time, all the Eddie’s feelings are being expressed to Catherine, Alferi or Beatrice and this is all taking place “behind closed doors”. However, on this scene Eddie’s emotions in the path of Rodolfo turn out to be obvious to Marco. It begins with Eddie speaking about respect, directing most of this at Rodolfo after he said that America is

more “free”. Eddie sees this as a possibility to character assassinate Rodolfo and belittle him in entrance of everyone. He begins to say how in Italy you wouldn’t just “drag off some woman without permission”, Rodolfo senses the bitterness in Eddie’s tone and immediately starts to argue how he does have “respect for her”, yet at this point Marco is quick to tell Rodolfo to “come house early” which exhibits how they respect Eddie and don’t quite perceive the true root of Eddie’s uneasiness. Yet Eddie is not

content with embarrassing Rodolfo in entrance of Catherine to that extent, he then tries to push it further by stating that the dock is “no place for him”. However when he realises that Rodolfo and Catherine stop dancing to listen to what he has to say he realises that he has gone too far and again tracks by starting to say how Rodolfo’s expertise such as dress making, cooking and singing are an asset to him. Yet he still senses the stress so adjustments the subject to boxing and makes use of it as a chance to demonstrate his superior strength over Rodolfo by proposing to show him.

As a result of this conversation they begin to spar with a few gentle punches, then after some encouragement Rodolfo starts to throw some barely more durable punches, then Rodolfo grazes his jaw, Eddie then punches back which causes Rodolfo to [stagger]. This is the moment where Eddie’s underlying dislike for Rodolfo becomes obvious to Marco. Marco then decides to play Eddie at his own game; Marco then challenges Eddie to carry a chair from the underside of the leg, Eddie fails the first time but tries many times fails to lift the chair.

Marco uses this as a chance to belittle Eddie the greatest way he did it to Rodolfo. So Marco also makes an attempt to carry the chair and lifts it on his first try, he then raises the chair over Eddie’s head, and conveys a glare of warning which Eddie absorbs, this was an attempt of Marco to intimidate Eddie utilizing a take a look at of strength, and the glare of warning is Marco informally telling Eddie to go away his little brother alone and pick on somebody his own measurement. This scene is the catalyst that aggravates Eddie additional and Eddie sees this as an insult to his honour.

This leads to an explosion of anger in the “kissing scene” initially of Act 2 which is a crescendo that has been build up ever for the explanation that “sub-marines” arrived, which we all know from Alferi’s monologue will result in some type of confrontation and ultimately to Marco’s deportation and Eddie’s death . In “the kissing scene” the ulterior motives and hidden intentions of the leading characters become apparent. The character assassination not happens in secret, “behind closed doors”, on this explosive scene Eddie’s true emotions in direction of Rodolfo are shown and all it takes for this to occur is a “case of scotch whisky”.

The scene begins with Eddie entering the home to see Catherine and Rodolfo in the bed room doorway, at this sight Eddie’s arm jerks slightly in shock, which shows his discomfort which then leads to Eddie exploding with anger and ordering Rodolfo to “pack it up” and to “get out”. This provokes Catherine, though trembling with fright to make the difficult determination to go away him. As a result of this Eddie is consumed with rage as he has a deep love for her. Eddie’s satisfaction additionally comes into the equation; he simply cannot face the fact that a man has come into his home and taken his “daughter”, and to add insult to harm she truly needs to go.

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