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    A Schenkerian Analysis of Preludio from Bach’s Unaccompanied Violin Partita

    Very few theorists contact upon the subject of motivic and structural coherence in Bach’s dance suites. The keyboard and lute suites deservedly have more printed analyses than the string suites – contemplating there are merely more of them – leaving the cello and violin suites pristine and virtually untouched, and unjustifiably so. The most obscure […] More