In Act 3 Scene 1 of “Romeo and Juliet’, Shakespeare makes use of language to make the fight scene dramatic

In Act three Scene 1 of ‘Romeo and Juliet’, Shakespeare makes use of language to make the fight scene dramatic. How does Baz Luhrmann draw on this and use other gadgets to create pressure for his audience?

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‘Romeo and Juliet’ is about two families, the Montagues and the Capulets, who’ve been launched to a physical and verbal struggle. The play begins off with the prologue, the place a man comes onstage and reads out the plot of the play and the key ideas, although this provides away the surprises, it builds pressure at the crowd are constantly on the edge of their seats ready for the events to happen that they’ve been told about.

The opening scene sees the two households, who have been preventing for generations, in one other battle, this takes place in public and is witnessed by the prince who decides anymore fighting will finish in exile or dying. This creates tension as anymore combating carries a more drastic punishment and so the stress is constructed as a outcome of certain family members become extra conscious about the place they are combating and the potential for the prince seeing them.

The first struggle scene is the first scene of the play; this is a much smaller fight and creates more pressure in the best way as you count on extra struggle scenes which are greater. The first fight scene starts off the Montagues saying to the Capulets ‘Do you bite your thumb at us, sir?’ this shows that fights between these two families start off over the only of occasions.

Later that day the Montagues, the family of Romeo, invade the Capulets’, the family of Juliet, party. As the Montagues invade the party, Romeo wanders off to find Juliet; the 2 instantly fall in love. That evening Romeo and Juliet meet and swear their love for each other, at this level no-one is aware of about Romeo and Juliet as their families are sworn enemies. The subsequent day Romeo and Juliet get married by the Friar nonetheless, only Romeo, Juliet and the Friar find out about this marriage. Shakespeare has set the structure of the play like this as a end result of it causes a sudden change from hate to love. As we see Romeo and Juliet get married, is exhibits hope for the two families; nonetheless it is only creating extra pressure as their love is a secret and here Shakespeare has used dramatic irony, as the viewers know about the marriage but a lot of the characters do not, this further builds the strain.

Throughout Act three Scene 1 there is big contrast between love and hate. The main hate shown is by Tybalt in direction of Romeo, Tybalt calls Romeo names making an attempt to get him into a struggle, he calls Romeo a ‘villain’ this reveals hate and builds tension as he is trying so onerous to get Romeo right into a struggle though Romeo isn’t interested. On the distinction nevertheless, there is love shared between Romeo, Mercutio and Benvolio, as they Romeo says to Mercutio ‘Gentle Mercutio’ this reveals love and he’s additionally exhibiting concern and trying to speak Mercutio into not combating but calling him peaceful and mild names.

In the fight scene completely different characters play completely different roles and have completely different personalities in course of the fight and in one example their personality adjustments through the fight scene. Benvolio all through the entire scene is the peacemaker, you choose this up about his character from the beginning of the scene as he starts off by saying ‘I pray thee good Mercutio, let’s retire’, this shows he’s a peacemaker as he is aware of a fight goes to occur and he’s saying to Mercutio come on lets depart lets get out of here.

Mercutio is the trouble maker all the time on the lookout for a battle that is proven when he says ‘make it a word and a blow’ though this is him joking around he knows it will annoy Tybalt and creates pressure and makes the fight more likely.

Tybalt can be a hassle maker on the lookout for a struggle this is shown when he says to Mercutio ‘thou consortest with Romeo’ this exhibits he is a bother maker as he is insulting Mercutio and making an attempt to enrage him and draw him right into a battle.

Romeo begins off as a peacemaker and this is shown as he says to Tybalt ‘Gentlemen, for disgrace, forbear this outrage’ this exhibits he is the peacemaker because the word gentlemen just isn’t an insult either method, he is calling them all mild and making an attempt to calm things down additionally he is making an attempt to inform them to stage this outrage, which is the struggle. However because the scene progresses Romeo stops being the peacemaker and turns violent this is shown when Romeo says ‘either thou or I, or both, must go together with him’ this shows he has turned violent as he’s saying one or each of us must die and join Mercutio in death.

Also throughout Act 3 Scene 1 there could be fixed addressing between characters, especially between the 2 rivals. Mercutio refers to Tybalt in many ways including ‘rat-catcher’ and ‘kings of cats’ this builds tension as he is name calling and scary Tybalt. However there is name calling another way as Romeo says to Mercutio ‘Gentle Mercutio’ he addresses Mercutio on this way within the hope of calming him down and influencing his character by the names he calls him.

At the beginning of Act three Scene 1 Benvolio is trying to influence Mercutio to depart and find elsewhere to go as he is aware of there may be going to be a battle and needs to attempt to depart earlier than anything happens. Mercutio dismisses Benvolio describing him as a man who would stroll into an inn and start a fight for no cause; nevertheless he is solely describing himself. Shakespeare has accomplished this as many people imagine if you told who you are enough times you become them, and so Mercutio retains telling Benvolio he’s some-one who starts fights and thrives on combating, in the hope Benvolio will battle. This is creating rigidity as Benvolio is the peacekeeper and the least likely to ever have a battle.

As the Scene progresses Tybalt enters, Benvolio turns into uncomfortable with the situation and says to Mercutio ‘By my head, right here comes the Capulets.’ This shows Benvolio isn’t joyful and might sense bother nevertheless this reveals contrast when Mercutio just responds by saying to him ‘By me heel, I care not.’ This reveals distinction as a result of as Benvolio says by his head, your head is probably the most useful part of your body, you can’t actually reside without out it, it accommodates all of your wisdom and thoughts and shows how critical the state of affairs is however when Mercutio says by his heel, he is saying he doesn’t care, his heel isn’t necessary at all and so this shows he is not in any respect apprehensive in regards to the growing.

Tybalt begins the dialog by being sarcastic when he says ‘gentlemen, good den; a word with one of you’ right here Tybalt is attempting to provoke a struggle by his sarcasm, however Mercutio turns right into a joke when he says ‘make it a word and a blow’, this is creating rigidity as Tybalt will get angrier at been made fun of in a public place, but Mercutio is simply laughing and having a bit of fun. Tybalt again tries to draw Mercutio right into a fight and Mercutio again turns it into joke, Tybalt then insults Mercutio by saying ‘consortest with Romeo’ this creates tension as it winds Mercutio up by referring to him as a servant. By saying this he has turned the joking Mercutio into an indignant Mercutio, which creates rigidity through the sudden change of personality. Benvolio can see issues are getting heated and tries to maneuver them into a non-public place the place the prince won’t have the ability to see by saying ‘withdraw into some non-public place’, nonetheless Mercutio simply replies saying ‘Men’s eyes had been made to look’ This creates tension as Benvolio is getting more and more apprehensive in regards to the prince seeing and Mercutio not caring.

Tybalt then tells Mercutio he no longer needs a battle with him, he desires one with Romeo who has simply entered the scene, Romeo has simply come from his wedding and is in a great peaceful mood after marrying the ladies he loves and simply desires peace. Tybalt starts by calling Romeo ‘a villain’. Romeo responds to this calmly, and drops a hint that he’s part of Tybalts household, and says he is not a villain. Tybalt responds by calling him ‘boy’ and saying Romeo has brought on him accidents. This is creating rigidity as Romeo is part of Tybalts household now and doesn’t need to get drawn right into a fight; nevertheless Tybalt is unaware of Romeo’s marriage and still sees him as a Montague who invaded his households party. Romeo responds to Tybalt claiming he has never caused any accidents to Tybalt and says ‘And so good Capulet, which name I tender as dearly as my own’. This is Romeo dropping another trace that he is now part of the household and builds more rigidity between the 2.

Mercutio then joins in by calling Tybalt ‘rat-catcher’. Shakespeare has put various sorts of names to every character relying the character of that character, this creates pressure as insults are flying around with plenty of anger which is pushing nearer and closer to a battle. Mercutio then refers to Tybalt as ‘King of Cats’. The reason Tybalt has been known as the king of cats is as a result of he’s a skilled fighter and quite often rides his luck along with his 9 lives.

A struggle then breaks out and Mercutio is stabbed, he starts accountable both the Montagues and the Capulets and says to them ‘a plague on both your houses’. Mercutio then tries to cover what is incorrect and says to everybody ‘ay, ay, a scratch, a scratch’ this goes back to referring to Tybalt as cat. Mercutio then curses both households a few more times, using repetition.

Later on in this scene Romeo goes for revenge towards Tybalt, he now not thinks about his earlier marriage or his happiness, that is creating pressure because the calm, peaceful Romeo has became hate and rage. When he is confronting Tybalt he says to him ‘Now Tybalt take the ‘villain’ again again’, Romeo is now saying he’ll now be the villain that Tybalt branded him, and tells Tybalt he’s avenging Mercutio. Romeo then goes on to say ‘either thou or I, or both, must go together with him’ Romeo is saying that no less than one of them will join Mercutio. Romeo then kills Tybalt and realises what he has carried out and says ‘O I am fortune’s fool!’ here he has simply realised what he has accomplished and faces the possibility of shedding his beloved Juliet.

As the prince comes alongside and finds Tybalt and Mercutio dead he calls for to know what has occurred Benvolio because the peacemaker knows he should inform the reality and he does nevertheless, as he describes what Tybalt has accomplished he says ‘Of Tybalt deaf to peace, but that he tilts’ here he is saying Tybalt turned deaf to peace, he didn’t need peace and so the fight continued due to it, that is placing blame on Tybalt with out lying, also as he describes Mercutio he says ‘at daring Mercutio’s breast’ this exhibits he was aggressive as he was daring and this makes Mercutio sound extra within the incorrect and so lightening the blame on Romeo. Finally he tries to make Romeo sound just like the sufferer by saying ‘gentle breath, calm look, knees humbly bowed’ he is saying Romeo was calm and mild and never wished any trouble but received sucked into it.

Baz Luhrmann uses other gadgets to create rigidity by way of the props, lighting, sound and particular results.

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During the struggle scene within the film, Baz Luhrmann uses additional characters within the scene, though they aren’t concerned in the primary battle, they act because the audience and so there’s two audiences watching the battle, the viewers and the audience throughout the film, this creates pressure as it makes the characters conscious that they are in the public eye. However the viewers in the film are held behind barbed wire like a boxing ring, this emphasizes even more that the battle is in the midst of the common public. Luhrmann makes use of a scene involving Juliet in the midst of the battle scene, that is effective because it leaves us on a cliff-hanger for the battle as we have to observe Juliet anxiously ready for Romeo, that is also efficient as it exhibits the contrast of the two Romeo’s the one that’s loved by Juliet who longs for him to return to her and the Romeo who wants revenge on Tybalt.

Before the fight scene, the scene is Romeo and Juliet getting married this scene relieves tension as it offers the viewers hope nevertheless it additionally builds rigidity by way of the dramatic irony. After the struggle scene the primary scene shown is Paris being supplied to Juliet, this creates pressure as the viewers turn into confused on which man she must be with and what her household need for her, and also brings up the main query of will her family ever accept Romeo. He uses sound successfully to create tension at the beginning of the scene, as he begins off with thunder which represents a storm, which is darkness, hazard and evil, this creates pressure because it shows a storm is brewing nonetheless it’s a storm on land quite than the sky which this refers to. When Tybalt and Mercutio are combating he builds tension by utilizing a drum roll, this creates rigidity as it is building one thing up. This quickly reverts to the ocean, which is calm, gentle and soothing, the complete opposite of what is taking place. At the tip the usage of the echo and the thunder reveals the hate, price and revenge, the words which may be echoed are ‘a plague on each your houses’ that is efficient as Mercutio retains using these phrases.

On music it starts with slow dramatic music, which is building tension as it’s slow and waiting for something to happen. It then goes onto sad music when Romeo turns up which is a whole distinction to the temper Romeo is in as he has just married Juliet. This creates pressure as it is showing what his mood will flip into rather than what he is feeling at this level. As the struggle progresses the music turns into louder and quicker, this creates pressure as it’s build up suspense making you suppose one thing is defiantly going to occur. At the end of the scene the music is Opera which represents heaven as Mercutio has just died.

The lighting starts off purple which represents warmth, anger and hazard. This creates pressure as it makes the viewers really feel that something goes to happen. As the battle grows the sky becomes darker, displaying hate and evil and creates extra pressure. As Romeo arrives the sun begins to set representing an finish to his life as he now is conscious of it. As Romeo as talking to Tybalt the sky lightens as a lot as make the viewers assume that there’s hope that everything will be okay. As fighting takes place the sky turns into brighter but darkens again when Mercutio is stabbed, on the end it is dark and there are shadows over Mercutio’s body showing his soul going to heaven.

For the setting/scenery it is a hot and humid day this builds tension as the warmth makes the characters way more agitated than usual. The begins off on the seashore in an open area where there are heaps of people focusing their consideration on these characters. As the struggle starts lots of onlookers flee within the terror. As Mercutio, Tybalt and Romeo get caught in a fight they transfer in the direction of an open stage enviornment. Later as Mercutio is stabbed he stumbles up onto the stage and begins to say ‘ay, ay, a scratch, a scratch’ that is efficient as he is performing about his wound and he’s appearing on the stage.

The costumes are an entire contrast of each other the Montagues are sporting shiny and colourful clothes showing they just want enjoyable. However, the Capulets are in black, this exhibits they want dying and reveals their evil. Mercutio is wearing white so it emphasizes the blood stains from where he has been stabbed. Finally when Romeo arrives he’s wearing a suit which may be very formal this shows he has simply been someplace necessary and is not in search of a battle. In this scene there is a low quantity of props which then reveals that each one the attention is drawn to the characters. One of the props the life guard publish, this is proven initially when Benvolio is sitting in it, this is to show he’s above the remainder and he’s respected as he seems like a figure of authority. On every characters weapons they’ve crests of their families, this emphasizes their wealth and power.